I’m, by my very sporadic and impulsive nature, a pantser.
It started back, probably, when I was playing RPGs with my family as a tabletop gamer. See, you’d come into a game and stuff would happen and story would be instantly created from those reactions. Role playing games like Dungeons and Dragons were my first foray into making my own stories and so from there I began to write stories from an instinctive place.
This worked fine for the little fanfictions that I would create in middle school and high school but when it came to actually trying to get through a big project, this method has, sadly, failed me.
Yet, I’m not ready to say that I’m an outliner yet…more like, I’ve figured out how to be a Tailored Pantser. I still get a thrill from creating a story out of instinct and don’t really find outlines to be more than just the barest of lines in the shifting sands of my imaginary beach, the waves of my impulses and story sense rewriting whatever I have plotted for the future of my protagonist.
With that said, I have discovered that Deborah Chester’s book on the Fantasy Fiction Formula has completely changed the way I look at stories and outlining. (You can check out her book HERE on amazon.) Specifically, her SPOOC method of story mapping has been insanely helpful and it’s what I’m going to talk about here today. If you want more than the brief summary that I’m going through, I highly recommend buying her book as it’s been a god sent to fixing my tension and conflicts.
So, let’s take a quick walk through her suggestions so that you can see what I’ve been doing to prepare for my 52 Week Short Story Challenge for 2017.
This is specifically for short stories mind you, but it can be expanded for novels.
First, I decide what my basic idea or story question is for the project.
I’ll take a prompt from the /r/WritingPrompts to begin our question:
Cool. We have our ‘idea’. Now we need to know the following things so that we can begin to map a story. Specifically, we need Situation, our Protagonist, our Objective, aka what we’re trying to achieve, our Opponent and finally our Crisis.
For this story I’d probably map it out as the following:
S: When she was added into the Greek Pantheon
O: Knew she wanted to become a goddess of farming so she can restore her war torn home
O: When her supervisor Demeter finds out that she is in love with one of her favorite nymphs
C: can she keep her own life from turning into another tragedy.
Now, this isn’t specifically an outline per say, but it’s a start of what you’re going to going for in terms of a map. You still need to figure out your story beats, aka, the scenes where Agave tries and fails. You’ll need to flesh out characters and make sense of exactly what level of power all the gods and goddesses have. BUT at least now you have determined your opponent and have someone for your protagonist to struggle against.
I find that if I at least know what the struggle is, I can get at least build from there.
I am currently creating a ‘SPOOC’ outline for all 52 of my short stories I’m planning for next year so I can at least have something to follow when it comes to my insane 1 story a week challenge. I get the creativity of running through conflicts and major events with the help of the ‘SPOOC’ to remind me of what my stakes are and remind me of the goal I’m trying to achieve.
Let me know if this is helpful to anyone. And good luck with mapping out your stories.